<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[The Rabkin Foundation: The Rabkin Interviews]]></title><description><![CDATA[Get to know the winners of the Rabkin Prize.]]></description><link>https://rabkinfoundation.substack.com/s/the-rabkin-interviews</link><image><url>https://substackcdn.com/image/fetch/$s_!T5OT!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2a7ef512-e50f-4d02-9c55-db29bdecc181_1280x1280.png</url><title>The Rabkin Foundation: The Rabkin Interviews</title><link>https://rabkinfoundation.substack.com/s/the-rabkin-interviews</link></image><generator>Substack</generator><lastBuildDate>Tue, 21 Apr 2026 12:58:36 GMT</lastBuildDate><atom:link href="https://rabkinfoundation.substack.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[The Rabkin Foundation]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[therabkinfoundation@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[therabkinfoundation@substack.com]]></itunes:email><itunes:name><![CDATA[Mary Louise Schumacher]]></itunes:name></itunes:owner><itunes:author><![CDATA[Mary Louise Schumacher]]></itunes:author><googleplay:owner><![CDATA[therabkinfoundation@substack.com]]></googleplay:owner><googleplay:email><![CDATA[therabkinfoundation@substack.com]]></googleplay:email><googleplay:author><![CDATA[Mary Louise Schumacher]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[Nicole Martinez, 2025 Rabkin Prize winner]]></title><description><![CDATA[Nicole Martinez is an arts journalist and the deputy director of Fountainhead Arts in Miami.]]></description><link>https://rabkinfoundation.substack.com/p/nicole-martinez-2025-rabkin-prize</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/nicole-martinez-2025-rabkin-prize</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 29 Oct 2025 11:01:24 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171428796/f1601da76646c55417574b2b6968aa17.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!96J4!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!96J4!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!96J4!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!96J4!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!96J4!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!96J4!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg" width="220" height="220" 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srcset="https://substackcdn.com/image/fetch/$s_!96J4!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!96J4!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!96J4!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!96J4!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F81f0fd3e-134e-46e5-b3f8-3adbc03b6ed1_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Nicole Martinez is an arts journalist and the deputy director of Fountainhead Arts in Miami. She is a winner of a 2025 Rabkin Prize, and you can read her full bio on our <a href="https://www.rabkinfoundation.org/nicole-martinez">website</a>. </p><p>We invited Nicole to have a conversation about her work. The interview is accompanied by a newly commissioned portrait of Nicole in her home office in Miami.</p><p>The interview has been gently edited for length and clarity.</p><p><strong>MENTIONED IN THIS EPISODE:</strong></p><ul><li><p><a href="https://balletetudesfla.com/">Ballet Etudes</a></p></li><li><p>&#8220;<a href="https://www.forbes.com/sites/giacomotognini/2025/06/17/this-billionaire-condo-king-plans-to-beat-trumps-tariffs-and-immigration-crackdown/">Trump&#8217;s Former Pal Plans To Beat Tariffs And The Immigration Crackdown</a>&#8221; by <a href="https://www.forbes.com/sites/giacomotognini/">Giacomo Tognini</a> (Forbes, June 2025)</p></li><li><p><a href="https://www.instagram.com/carolinadrake/">Carolina Drake</a></p></li><li><p><a href="https://www.artburstmiami.com/">Artburst Miami</a></p></li><li><p><a href="https://www.fountainheadarts.org/about">Fountainhead Arts</a></p></li><li><p><em><a href="https://www.fountainheadarts.org/membership/p/the-yearbook-2024-ff">The Yearbook: 2024, An Annual Survey of Fountainhead Residency Artists</a></em> by various writers (Fountainhead Arts, 2024)</p></li><li><p>Writer <a href="https://ta-nehisicoates.com/">Ta-Nehisi Coates</a></p></li><li><p><a href="https://otter.ai/">Otter.ai</a> app</p></li><li><p><a href="https://www.instagram.com/lauriesimmons/?hl=en">Laurie Simmons</a>&#8217; Instagram account</p></li><li><p><a href="https://www.theartnewspaper.com/2022/08/26/miami-climate-change-artificial-intelligence-resilience-lee-pivnik">&#8220;With the help of fellow Floridians and artificial intelligence, a Miami artist imagines a climate-resilient future for his city&#8221;</a> by Nicole Martinez (The Art Newspaper, August 2022)</p></li><li><p>Ragnar Kjartansson&#8217;s solo show <em><a href="https://www.museotamayo.org/en/exposiciones/ragnar-kjartansson-the-things-you-see-before-the-curtain-hits-the-floor">Las cosas que ves al momento de caer el tel&#243;n</a></em>, (The Things You See Before the Curtain Hits the Floor), Museo Tamayo, Mexico City, 2023.</p></li><li><p>Ragnar Kjartansson, <em><a href="https://vimeo.com/292676427">God</a></em></p></li><li><p>Ragnar Kjartansson, <em><a href="https://www.youtube.com/watch?v=Igof7jUIaaE">The Visitors</a></em> </p></li><li><p>Felix Gonzalez-Torres, <em><a href="https://www.artic.edu/artworks/152961/untitled-portrait-of-ross-in-l-a">Untitled (Portrait of Ross in L.A.)</a></em>  </p></li><li><p><em><a href="https://www.museotamayo.org/en/exposiciones/petrit-halilaj-runik">RUNIK</a></em> by Petrit Halilaj, Museo Tamayo, Mexico City (2023-2024)</p></li><li><p><em><a href="https://thenewpress.org/books/art-on-my-mind/">Art on my mind</a></em> by bell hooks</p></li><li><p><em><a href="https://www.sevenstories.com/books/3324-mother-reader?srsltid=AfmBOor6qXuo7v0dytfxRPaLx9fqujSJS8ibXP0fARpX7wohjO4Hy4ko">Mother Reader: Essential Writings on Motherhood</a></em>, edited by Moyra Davey (Seven Stories Press, 2001)</p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the executive director of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa, Just for Kicks, and Curtis Cole. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[Eva Recinos, 2025 Rabkin Prize winner]]></title><description><![CDATA[Eva Recinos is an arts and culture journalist, educator, and creative nonfiction writer based in Los Angeles.]]></description><link>https://rabkinfoundation.substack.com/p/eva-recinos-2025-rabkin-prize-winner</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/eva-recinos-2025-rabkin-prize-winner</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 22 Oct 2025 11:03:06 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171428150/5ef671444248b7da898590bce40e1bba.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" 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class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Eva Recinos is an arts and culture journalist, educator, and creative nonfiction writer based in Los Angeles. Her essay collection, <em>Underneath the Palm Trees</em>, is forthcoming in 2027 from Northwestern University Press. She is a winner of a 2025 Rabkin Prize. You can read her full bio at our <a href="https://www.rabkinfoundation.org/eva-recinos">website</a>.</p><p>We invited Eva to have a conversation about her work. The interview is accompanied by a newly commissioned portrait of Eva in her home office in Los Angeles.</p><p>The interview has been gently edited for length and clarity.</p><p><strong>MENTIONED IN THIS EPISODE:</strong></p><ul><li><p><a href="https://www.whittier.edu/news/mon-01302023-843-am/mellon-foundation-grant-supports-study-brown-identities-whittier-college">Mellon Foundation &#8211; Poet StoryLabNarrative, Community, and the Transformative Possibilities of Brown Storytelling at Whittier College</a></p></li><li><p><strong><a href="https://linktr.ee/Cmonstah?fbclid=PAZXh0bgNhZW0CMTEAAaeFBnuPsdxiG0NW7AG7VdQi8pRph4rMLOA6LB2ifY5zrcjXuvG5CS7TuXgU_A_aem_Fnicb0UWE88csxWWW_zHMQ">Carolina Miranda</a></strong></p></li><li><p>KCRW&#8217;s <a href="http://kcrw.com/newsletters?utm_campaign=Art%20Insider&amp;utm_source=hs_email&amp;utm_medium=email&amp;_hsenc=p2ANqtz-8H_Ibe-LcdWE3jReAVDAyf5CAFzxFTzLpDbvII49-dnWVhENcgkWNEwjeQC-2Y_HDluyhX">Art Insider</a> newsletter</p></li><li><p><a href="https://www.latimes.com/lifestyle/image">Image Magazine</a></p></li><li><p><a href="https://lapublicpress.org/">LA Public Press</a></p></li><li><p>Writer and brand strategist <a href="https://www.tasbeehherwees.com/">Tasbeeh Herwees</a></p></li><li><p><a href="https://www.davidkordanskygallery.com/artist/fred-eversley">Fred Eversley</a> at <a href="http://www.davidkordanskygallery.com">David Kordansky Gallery</a></p></li><li><p><a href="https://www.sonypictures.com/movies/monalisasmile">Mona Lisa Smile</a> movie, directed by Mike Newell (Sony Pictures, 2003)</p></li><li><p><em><a href="https://us.macmillan.com/books/9780374535957/toomuchandnotthemood/">Too Much and Not the Mood: Essays</a></em> by Durga Chew-Bose (Farrar, Straus and Giroux) 2017)</p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the executive director of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa, Yarin Primak, and Out of Flux. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[Brandy McDonnell, 2025 Rabkin Prize winner]]></title><description><![CDATA[Brandy McDonnell is an award-winning journalist, a lifelong Oklahoman, and a features writer for The Oklahoman and Oklahoman.com. She is a winner of a 2025 Rabkin Prize. Find her full bio on our website.]]></description><link>https://rabkinfoundation.substack.com/p/brandy-mcdonnell-2025-rabkin-prize</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/brandy-mcdonnell-2025-rabkin-prize</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 15 Oct 2025 11:00:41 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171427946/e26475f82b8b36139e794a94d099b81d.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!kDh_!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!kDh_!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!kDh_!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!kDh_!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!kDh_!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!kDh_!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg" width="188" height="188" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:188,&quot;bytes&quot;:1069862,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://rabkinfoundation.substack.com/i/171427946?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!kDh_!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!kDh_!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!kDh_!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!kDh_!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6bbcd957-23d7-48b2-8a64-11b867b2731b_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Brandy McDonnell is an award-winning journalist, a lifelong Oklahoman, and a features writer for The Oklahoman and <a href="http://oklahoman.com">Oklahoman.com</a>. She is a winner of a 2025 Rabkin Prize. Find her full bio on our <a href="https://www.rabkinfoundation.org/brandy-mcdonnell">website</a>.</p><p>We invited Brandy to have a conversation about her work. The interview is accompanied by a newly commissioned portrait of Brandy in her home office in Lindsay, near where she grew up.</p><p>The interview has been gently edited for length and clarity.</p><p><strong>MENTIONED IN THIS EPISODE:</strong></p><ul><li><p><a href="http://www.cableprinting.com/lindsay_news.html">The Lindsay News</a>, Lindsay, Okla.</p></li><li><p><a href="https://www.alliedartsokc.com/">Allied Arts</a></p></li><li><p><a href="https://ghibli-park.jp/en/">Ghibli Park</a> in Aichi, Japan</p></li><li><p><em><a href="https://www.imdb.com/title/tt0347149/">Howl&#8217;s Moving Castle</a> </em>by Hayao Miyazaki (2004)</p></li><li><p><a href="https://awfj.org/week-in-women/2015/06/28/spreading-the-feminist-spirit-of-hayao-miyazaki-as-spirited-away-debuts-on-blu-ray/?doing_wp_cron=1756838903.7858510017395019531250">&#8220;Spreading the feminist spirit of Hayao Miyazaki as &#8216;Spirited Away&#8217; debuts on Blu-ray&#8221;</a> by Brandy McDonnell (AWFJ Network Blog, 2015)</p></li><li><p><em><a href="https://totoroshow.com/">My Neighbour Totoro</a></em> by Hayao Miyazaki (1988)</p></li><li><p><a href="https://www.ghibli-museum.jp/en/">Ghibli Museum</a> in Tokyo, Japan</p></li><li><p><a href="https://www.oklahoman.com/story/entertainment/2025/02/02/okc-museum-of-art-celebrating-80th-anniversary-this-year-what-to-know/77192325007/">&#8220;OKC museum celebrating 80th anniversary with art by Rembrandt, Chihuly and Ansel Adams&#8221;</a> by Brandy McDonnell (The Oklahoman, February 2025)</p></li><li><p><a href="https://www.toyandactionfiguremuseum.com/">Toy and Action Figure Museum</a>, Pauls Valley, Okla.</p></li><li><p>Artist <a href="https://kevinstarkart.com/artists/kevin/">Kevin Stark</a></p></li><li><p><a href="https://kevinstarkart.com/music/">Squeaky Burger</a> music</p></li><li><p><a href="https://lyrictheatreokc.com/?gad_source=1&amp;gad_campaignid=21051675510">Lyric Theatre of Oklahoma</a></p></li><li><p><em><a href="https://www.goodreads.com/book/show/5188061">Jubilee City: A Memoir at Full Speed</a></em><a href="https://www.goodreads.com/book/show/5188061"> </a>by Joe Andoe (Harper Perennial, 2008)</p></li><li><p><em><a href="https://www.oklahomahof.com/books/dont-never-be-afraid-of-your-horses">Don&#8217;t Never Be Afraid of Your Horses</a></em> by Mike Larsen (Oklahoma Hall of Fame Publishing, 2017)</p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the executive director of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa, and Out of Flux. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[America Meredith, 2025 Rabkin Prize Winner]]></title><description><![CDATA[America Meredith (Cherokee Nation) is an arts writer, visual artist, independent curator, and publishing editor of First American Art Magazine.]]></description><link>https://rabkinfoundation.substack.com/p/america-meredith-2025-rabkin-prize</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/america-meredith-2025-rabkin-prize</guid><pubDate>Wed, 08 Oct 2025 11:00:51 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171427581/b58dbe31b0d1cd78b29aa1d4f137fb8b.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!8eRO!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!8eRO!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!8eRO!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!8eRO!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!8eRO!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!8eRO!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg" width="191" height="191" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:191,&quot;bytes&quot;:1201397,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://rabkinfoundation.substack.com/i/171427581?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!8eRO!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!8eRO!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!8eRO!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!8eRO!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F125575b7-c5af-4d59-af39-26146f1f076b_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>America Meredith (Cherokee Nation) is an arts writer, visual artist, independent curator, and publishing editor of First American Art Magazine. She is a winner of a 2025 Rabkin Prize. You can read her full bio at our <a href="https://www.rabkinfoundation.org/america-meredith">website</a>.</p><p>We invited America to have a conversation about her work. The interview is accompanied by a newly commissioned portrait of America in the backyard space where she sometimes writes, alongside her dogs, Terin and Rosie. </p><p>The interview has been gently edited for length and clarity.</p><p><strong>MENTIONED IN THIS EPISODE:</strong></p><ul><li><p><a href="https://www.facebook.com/seiaa.ok">Southeastern Indian Artists Association</a></p></li><li><p><a href="https://www.coeartscenter.org/">The Coe Center</a></p></li><li><p><a href="https://www.cherokee.org/visit-us/cherokee-heritage-center/">Cherokee Heritage Center</a>, Park Hill, Okla.</p></li><li><p><a href="https://en.wikipedia.org/wiki/Center_of_the_American_Indian">Center for the American Indian, </a>(1978), Oklahoma City, Okla.</p></li><li><p><a href="https://iaia.edu/">Institute of American Indian Arts</a></p></li><li><p><a href="https://thedgcm.org/yellow-robe-legacy">William S. Yellow Robe, Jr.</a></p></li><li><p>Artist <a href="https://www.americanindianmagazine.org/story/art-revolution-tc-cannon">T.C. Cannon</a></p></li><li><p>Artist <a href="https://www.woodlandarts.com/">Kelly Church</a></p></li><li><p>Artist <a href="https://www.terigreevesbeadwork.com/">Teri Greeves</a></p></li><li><p><em><a href="https://artsandculture.google.com/story/right-after-milwaukee-art-museum/AgVR4Q9aeaIsLw?hl=en">Right After</a></em><a href="https://artsandculture.google.com/story/right-after-milwaukee-art-museum/AgVR4Q9aeaIsLw?hl=en"> </a>by <a href="http://evahesseestate.com/">Eva Hesse</a></p></li><li><p>Composer <a href="https://www.johncage.org/">John Cage</a></p></li><li><p>Artist <a href="https://www.rauschenbergfoundation.org/">Robert Rauschenberg</a></p></li><li><p><a href="https://www.shinglespringsrancheria.com/">Shingle Springs Rancheria, Calif</a>.</p></li><li><p><em><a href="https://www.goodreads.com/book/show/1217421.The_Illiterate_Digest">Illiterate Digest</a></em> by Will Rogers (A&amp;C Boni, 1924)</p></li><li><p><em><a href="https://birchbarkbooks.com/products/elements-of-indigenous-style">Elements of Indigenous Style: A Guide for Writing by and about Indigenous Peoples</a></em> by Gregory Younging (Brush Education, 2025)</p></li><li><p><em><a href="https://shop.nplusonemag.com/products/track-changes-a-handbook-for-art-criticism?srsltid=AfmBOoq1Z58qV9reg5_tK5Lv-DNqqjvoMtqPOMnevHcOENbxGcGv1Ma7">Track Changes: A Handbook for Art Criticism</a></em> Edited by Mira Dayal and Josephine Heston (n+1, Literary Hub, and Burnaway, 2023)</p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the executive director of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa, Just for Kicks, and Jim Swim. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[Tempestt Hazel, 2025 Rabkin Prize Winner]]></title><description><![CDATA[Tempestt Hazel is a curator, writer, and co-founder of Sixty Inches From Center, a publishing platform and archival project focusing on the Midwest.]]></description><link>https://rabkinfoundation.substack.com/p/tempestt-hazel-2025-rabkin-prize</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/tempestt-hazel-2025-rabkin-prize</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 01 Oct 2025 11:01:33 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171427459/0dce01af6ced0b2a9c468ef1a146e230.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!gxS-!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!gxS-!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!gxS-!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!gxS-!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!gxS-!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!gxS-!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg" width="224" height="224" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:224,&quot;bytes&quot;:554655,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://rabkinfoundation.substack.com/i/171427459?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!gxS-!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!gxS-!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!gxS-!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!gxS-!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F72fe34fc-4130-41dd-81b9-03b2e42b6d2a_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Tempestt Hazel is a curator, writer, and co-founder of Sixty Inches From Center, a publishing platform and archival project focusing on the Midwest. She is a winner of a 2025 Rabkin Prize. You can read her full bio at our <a href="https://www.rabkinfoundation.org/tempest-hazel">website</a>.</p><p>We invited Tempestt to have a conversation about her work. The interview is accompanied by a newly commissioned portrait of Tempestt in her Chicago living room, where she often writes, with her dog, Humphrey. <br></p><p>The interview has been gently edited for length and clarity.</p><p><strong>MENTIONED IN THIS EPISODE:</strong></p><ul><li><p><a href="https://sixtyinchesfromcenter.org/">Sixty Inches From Center</a></p></li><li><p><a href="http://www.margaretburroughs.com/">Margaret Burroughs</a></p></li><li><p><em><a href="https://hammer.ucla.edu/exhibitions/2025/noah-davis">Noah Davis</a></em> exhibit, Hammer Museum (2025)</p></li><li><p><a href="https://sixtyinchesfromcenter.org/pausing-to-listen-embracing-the-collective-wisdom-of-the-midwest/">Midwest Arts Writers Convening</a></p></li><li><p><a href="https://sixtyinchesfromcenter.org/about/team/luz-magdaleno-flores/">Luz Magdaleno Flores</a></p></li><li><p><a href="https://www.christinanafziger.com/">Christina Nafziger</a></p></li><li><p><a href="http://www.nadiajohn.info/">Nadia John</a></p></li><li><p><a href="https://chicagoreader.com/">Chicago Reader</a></p></li><li><p><a href="https://performanceresponsejournal.com/">Performance Response Journal</a></p></li><li><p><a href="https://www.newcity.com/">Newcity</a></p></li><li><p><a href="https://temporaryartreview.com/author/chicago-artist-writers/#:~:text=is%20an%20online%20platform%20for,%2C%20temporary%2C%20and%20nonprofit%20spaces.">Chicago Artist Writers</a></p></li><li><p><a href="https://airgoradio.com/">AirGo Radio</a></p></li><li><p><a href="https://thetriibe.com/">The Triibe</a></p></li><li><p><a href="https://southsideweekly.com/">South Side Weekly</a></p></li><li><p><a href="https://contratiempo.org/">Contratiempo</a></p></li><li><p><a href="https://www.lumpenmagazine.org/">Lumpen Magazine</a></p></li><li><p><a href="https://www.pigmentintl.com/">Pigment International</a></p></li><li><p><em><a href="https://www.thebroad.org/art/special-exhibitions/jeffrey-gibson-space-which-place-me">The Space in Which to Place Me </a></em>exhibit by Jeffrey Gibson (2025), The Broad Museum</p></li><li><p><a href="https://sixtyinchesfromcenter.org/thick/">&#8220;Thick: They say you are what you eat. Does how you eat what you eat matter too?&#8221;</a> by Corey Smith, Rachel Lindsay (Sixty Inches from Center, May 2025)</p></li><li><p>Artist <a href="https://www.3arts.org/artist/aj-mcclenon/">A.J. McClenon</a></p></li><li><p><em><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/david-hammons-concerto-in-black-and-blue/">David Hammons</a></em><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/david-hammons-concerto-in-black-and-blue/">. </a><em><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/david-hammons-concerto-in-black-and-blue/">Concerto in Black and Blue</a></em> exhibit by David Hammons (Hauser &amp; Wirth, February 2025)</p></li><li><p><a href="https://www.artnews.com/art-in-america/aia-reviews/david-hammons-artist-book-hauser-wirth-1234743679/">&#8220;A New David Hammons Book Will Challenge You, Scold You, Flirt with You&#8221;</a> by TK Smith (Art in America, May 2025)</p></li><li><p>Writer <a href="https://www.instagram.com/hilton.als/?hl=en">Hilton Als</a></p></li><li><p><a href="https://grad.uchicago.edu/fellowship/chicago-critics-table/">Chicago&#8217;s Critic Table</a></p></li><li><p><a href="https://english.uchicago.edu/people/adrienne-brown">Adrienne Brown</a></p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the executive director of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa, Ariel Shalom, and Just for Kicks. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[J Wortham, 2025 Rabkin Prize winner]]></title><description><![CDATA[J Wortham is a sound healer, a staff writer for The New York Times Magazine, author of a forthcoming nonfiction collection &#8220;Work of Body,&#8221; and a 2025 Rabkin Prize winner.]]></description><link>https://rabkinfoundation.substack.com/p/j-wortham-2025-rabkin-prize-winner</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/j-wortham-2025-rabkin-prize-winner</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 24 Sep 2025 11:02:52 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171427033/8c710262f7c4d39a99e6dc9521282d61.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!P77O!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!P77O!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!P77O!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!P77O!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!P77O!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!P77O!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg" width="164" height="164" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:164,&quot;bytes&quot;:770721,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://rabkinfoundation.substack.com/i/171427033?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!P77O!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!P77O!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!P77O!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!P77O!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24f23090-5e23-415f-b6c0-c496f4ddd436_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>J Wortham is a sound healer, a staff writer for The New York Times Magazine, author of a forthcoming nonfiction collection &#8220;Work of Body,&#8221; and a 2025 Rabkin Prize winner. You can read their full bio at our <a href="https://www.rabkinfoundation.org/j-wortham">website</a>.</p><p>We invited J to have a conversation about their work. The interview is accompanied by a newly commissioned portrait of J in their home office in New York featuring an art piece by Alisha B Wormsley.</p><p>The interview has been gently edited for length and clarity.</p><p><strong>Mentioned in this episode:</strong></p><ul><li><p><em><a href="https://www.randomhousebooks.com/books/553674/">Black Futures</a></em> edited by <a href="https://www.nytimes.com/by/jenna-wortham">J Wortham</a> and curator <a href="https://www.penguinrandomhouse.com/authors/2146838/kimberly-drew/">Kimberly Drew</a> (One World, January 2020)</p></li><li><p><a href="https://www.nytimes.com/column/still-processing-podcast">Still Processing</a> podcast</p></li><li><p>&#8220;<a href="https://www.newyorker.com/culture/the-lede/in-defense-of-the-traditional-review">In Defense of the Traditional Review</a>&#8221; by Richard Brody (The New Yorker, July 2025)</p></li><li><p><a href="https://www.nytimes.com/2025/06/03/theater/purpose-branden-jacobs-jenkins-broadway.html">&#8220;For &#8216;Purpose&#8217; Cast, Navigating Revisions Became a &#8216;Juggling Act&#8217; &#8221;</a> by Salamishah Tillet (The New York Times, June 2025)</p></li><li><p><a href="https://www.tiktok.com/@jennydeluxe666/video/7522268388027141407">TikTok </a><em><a href="https://www.tiktok.com/@jennydeluxe666/video/7522268388027141407">Queer Ultimatum</a></em><a href="https://www.tiktok.com/@jennydeluxe666/video/7522268388027141407"> Season 2 review </a>by J Wortham</p></li><li><p><a href="https://jennydeluxe.substack.com/">Channeling</a>, J Wortham&#8217;s Substack newsletter</p></li><li><p>Writer <a href="http://rebeccasolnit.net/">Rebecca Solnit</a></p></li><li><p><a href="https://www.instagram.com/hilton.als/?hl=en">Hilton Als</a>&#8217; Instagram account</p></li><li><p><a href="https://www.instagram.com/nifmuhammad/?hl=en">Hanif Abdurraqib</a>&#8217;s Instagram account</p></li><li><p>Sculptor <a href="https://www.instagram.com/simoneyvetteleigh/?hl=en">Simone Leigh</a></p></li><li><p><em><a href="https://www.nationalbook.org/books/ordinary-notes/">Ordinary Notes</a></em> by Christina Sharpe (Farrar, Straus and Giroux, April 2023)</p></li><li><p><a href="https://www.nytimes.com/2024/05/02/magazine/brittney-griner-book-russia-interview.html">&#8220; &#8216;I will Never Forget Any of It&#8217;: Brittney Griner Is Ready to Talk</a>&#8221; by J Wortham (The New York Times Magazine, May 2024)</p></li><li><p><a href="https://www.nytimes.com/2021/05/05/magazine/deana-lawson.html">&#8220;The Artist Upending Photography&#8217;s Brutal Racial History&#8221; by J Wortham</a> (The New York Times Magazine, May 2021)</p></li><li><p><a href="https://www.nytimes.com/interactive/2024/12/20/magazine/wafa-aludaini-killed-palestinian-journalist.html">&#8220;The Lives They Led: Wafa Al-Udaini&#8221; by J Wortham (The New York Times Magazine, 2024)</a></p></li><li><p><a href="https://open.spotify.com/show/72DgOIcC23maJ3rZL9rRQy">Stars and Stars with Isa</a> podcast</p></li><li><p>Writer <a href="https://www.colleenkinder.com/">Colleen Kinder</a></p></li><li><p><em><a href="https://www.armoryonpark.org/programs_events/detail/dear_lord">Dear Lord, Make me Beautiful</a></em><a href="https://www.armoryonpark.org/programs_events/detail/dear_lord"> by Kyle Abraham</a></p></li><li><p><em><a href="https://www.brooklynmuseum.org/exhibitions/elizabeth-catlett">Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies</a></em> at the Brooklyn Museum (2024)</p></li><li><p><em><a href="https://publictheater.org/productions/season/2425/ha-ha-ha-ha-ha-ha-ha/">ha ha ha ha ha ha ha</a></em><a href="https://publictheater.org/productions/season/2425/ha-ha-ha-ha-ha-ha-ha/"> by Julia Masli</a></p></li><li><p><a href="https://www.blackquantumfuturism.com/shop">Black Quantum Futurism</a> books</p></li><li><p><em><a href="https://www.diaart.org/visit/visit-our-locations-sites/walter-de-maria-the-lightning-field">The Lightning Field</a></em> by Walter D. Maria</p></li><li><p><em><a href="https://rodencrater.com/about/">Roden Crater</a></em> by James Turrell</p></li><li><p><em><a href="https://www.staraxis.org/">The Star Axis</a></em> by Charles Ross</p></li><li><p><em><a href="https://stormking.org/wavefield/">Storm King Wavefield</a></em> by Maya Lin</p></li><li><p><em><a href="https://www.diaart.org/visit/visit-our-locations-sites/nancy-holt-sun-tunnels">Sun Tunnels</a></em> by Nancy Holt</p></li><li><p><a href="https://wisconsinfirstnations.org/wp-content/uploads/2017/10/Native-American-Mounds.pdf">Native American mounds</a> in Madison and Dane County, Wis.</p></li><li><p><a href="https://www.jupiter-mag.com/">Jupiter Magazine</a></p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the eExecutive dDirector of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa, Ben Hendler and Loya. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[Paul Chaat Smith, 2025 Rabkin Prize winner]]></title><description><![CDATA[Paul Chaat Smith (Comanche Nation) is an author, essayist, and curator, and until recently a longtime curator at the Smithsonian National Museum of the American Indian.]]></description><link>https://rabkinfoundation.substack.com/p/paul-chaat-smith-2025-rabkin-prize</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/paul-chaat-smith-2025-rabkin-prize</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 17 Sep 2025 11:03:48 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171427273/fdfa4245614f6eddb82721a269ecdb47.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!u6C-!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!u6C-!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!u6C-!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!u6C-!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!u6C-!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!u6C-!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg" width="206" height="206" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:206,&quot;bytes&quot;:962102,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://rabkinfoundation.substack.com/i/171427273?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!u6C-!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!u6C-!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!u6C-!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!u6C-!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f16af4e-4fdd-4d48-8c16-968f4063af2b_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Paul Chaat Smith (Comanche Nation) is an author, essayist, and curator, and until recently a longtime curator at the Smithsonian National Museum of the American Indian. He is returning to arts writing and working on an anthology of essays. He is a winner of a 2025 Rabkin Prize. You can read his full bio at our <a href="https://www.rabkinfoundation.org/paul-chat-smith">website</a>.</p><p>We invited Paul to have a conversation about his work. The interview is accompanied by a newly commissioned portrait of Paul in his home office, where the family cat, Ms. Tina Turner, lounges at his feet.</p><p>The interview has been gently edited for length and clarity.</p><p><strong>Mentioned in this episode:</strong></p><ul><li><p><a href="https://libguides.mnhs.org/aim">American Indian Movement</a></p></li><li><p><a href="https://americanindian.si.edu/">National Museum of the American Indian</a></p></li><li><p><em><a href="https://americanindian.si.edu/americans/">Americans</a> exhibit, Smithsonian Institute, (2017)</em></p></li><li><p><a href="https://www.nga.gov/">National Gallery of Art</a></p></li><li><p><a href="https://hirshhorn.si.edu/?gad_source=1&amp;gad_campaignid=22520494488&amp;gbraid=0AAAAACm2lKDEHJTcCLuZSlhxAs-xIQwbr&amp;gclid=CjwKCAjwtfvEBhAmEiwA-DsKjoOxkkkiDnJWMchh7mLM2OLqztEuIkUukV7be8AII7W3RAj-pKOhDhoCh18QAvD_BwE">Hirshhorn Museum</a></p></li><li><p>Writer <a href="https://www.npr.org/2011/12/16/143830372/for-hitchens-in-life-and-death-an-unaware-cosmos">Christopher Hitchens</a></p></li><li><p><em><a href="https://www.upress.umn.edu/9781517903305/officially-indian/">Officially Indian: Symbols that Define the United States</a> by C&#233;cile R. Ganteaume (National Museum of the American Indian, 2017)</em></p></li><li><p>&#8220;<a href="https://www.nytimes.com/2025/07/24/arts/design/amy-sherald-smithsonian-censorship.html">Amy Sherald Cancels Smithsonian Show Over Censorship</a>&#8221; by Robin Pogrebin (The New York Times, July 2025 )</p></li><li><p><a href="https://www.youtube.com/watch?v=18_ORckwH_g">Total Eclipse, Dallas, Texas, 2024</a></p></li><li><p><a href="https://www.youtube.com/watch?v=rqFNpp-WQTg">Total Eclipse in Paducah, Ky,, 2017</a></p></li><li><p><em><a href="https://americanart.si.edu/exhibition/67675/sculpture-shape-of-power">The Shape of Power: Stories of Race and American Sculpture</a></em> exhibit, Smithsonian American Art Museum (2025)</p></li><li><p><em><a href="https://www.abebooks.com/book-search/title/fear-and-loathing-campaign-trail/author/hunter-s-thompson/first-edition/">Fear and Loathing on the Campaign Trail '72</a> </em>by Hunter S. Thompson (Straight Arrow Books, 1973)</p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the executive director of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa and Aves. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[Corrected: Jessica Lynne, 2025 Rabkin winner]]></title><description><![CDATA[This post has been updated with the correct audio.]]></description><link>https://rabkinfoundation.substack.com/p/jessica-lynne-2025-rabkin-winner</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/jessica-lynne-2025-rabkin-winner</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 10 Sep 2025 11:02:58 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/171426711/51f06aaeaed32530eb10864a55f8ced6.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!L8-3!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!L8-3!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!L8-3!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!L8-3!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!L8-3!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!L8-3!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg" width="238" height="238" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/dd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:238,&quot;bytes&quot;:470168,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://rabkinfoundation.substack.com/i/171426711?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!L8-3!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!L8-3!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!L8-3!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!L8-3!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd09e1c1-19b1-4998-891c-867589d16f49_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p></p><p>Jessica Lynne is a writer, art critic, podcaster, editor, and co-founder of ARTS.BLACK, a journal of art criticism that centers Black perspectives while engaging the contemporary art world. She is a winner of a 2025 Rabkin Prize. You can read her full bio at our <a href="https://www.rabkinfoundation.org/jessica-lynne">website</a>.</p><p>We invited Jessica to have a conversation about her work. The interview is accompanied by a newly commissioned portrait of Jessica in her studio during a residency at ALMA | LEWIS, an art platform for critical thinking, constructive dialogue, and creative expression dedicated to Black cultures in Pittsburgh.</p><p>Please note: Jessica is no longer at Momus, a change that occurred after our podcast was produced.</p><p>The interview has been gently edited for length and clarity.</p><p><strong>Mentioned in this episode:</strong></p><ul><li><p><a href="https://almalewis.org/programs/">ALMA | LEWIS: Artist Residency</a></p></li><li><p>Educator, artist, and architect <a href="https://pioneeringwomen.bwaf.org/amaza-lee-meredith/">Amaza Lee Meredith</a></p></li><li><p><em><a href="https://thenewpress.org/books/art-on-my-mind/?v=eb65bcceaa5f">Art on My Mind</a></em> by bell hooks (The New Press, 1995)</p></li><li><p>Writer and curator <a href="https://www.taylorrenee.info/">Taylor Aldridge</a></p></li><li><p>Poet <a href="https://www.junejordan.net/">June Jordan</a></p></li><li><p>Writer <a href="https://georgiawritershalloffame.org/honorees/toni-cade-bambara">Toni Cade Bambara</a></p></li><li><p>&#8221;<a href="https://www.jstor.org/stable/20709102">Toward a Black Feminist Criticism&#8221;</a> by Barbara Smith (Center for Critical Education Inc., 1978)</p></li><li><p>Writer <a href="https://www.nytimes.com/2021/12/08/arts/music/greg-tate-dead.html">Greg Tate</a></p></li><li><p>Writer <a href="https://cbvc.nyu.edu/about-the-program-director">Joan Morgan</a></p></li><li><p><a href="https://arts.black/">ARTS.BLACK</a></p></li><li><p><a href="https://www.jupiter-mag.com/">Jupiter Magazine</a></p></li><li><p>Writer <a href="https://camillegbacon.com/">Camille Bacon</a></p></li><li><p>Artist <a href="https://www.chloebass.com/">Chloe Bass</a></p></li><li><p><em><a href="https://www.penguinrandomhouse.com/books/86914/negroland-by-margo-jefferson/">Negroland </a></em>by Margo Jefferson (Pantheon, 2015)</p></li><li><p><em><a href="https://www.penguinrandomhouse.com/books/602237/constructing-a-nervous-system-by-margo-jefferson/">Constructing a Nervous System</a></em> by Margo Jefferson (Pantheon, 2022)</p></li><li><p>Writer <a href="https://www.nytimes.com/2020/09/15/books/randall-kenan-dead.html">Randall Kenan</a></p></li><li><p><a href="https://www.instagram.com/wnba/">WNBA</a></p></li><li><p><a href="https://curatorsintl.org/about/collaborators/4351-bisi-silva">Bisi Silva</a>, founder and curator of <a href="https://ccalagos.org/">Contemporary Art CCA</a>, Lagos, Nigeria</p></li><li><p><em><a href="https://dukeupress.edu/the-politics-of-collecting">The Politics of Collecting: Race and the Aestheticization of Property</a> </em>by Eunsong Kim (Duke University Press, 2024)</p></li></ul><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The interview was conducted by Mary Louise Schumacher, a journalist and the executive director of the Rabkin Foundation. The portraits were made by artist-photographer Kevin J. Miyazaki. The production team for the Rabkin Interviews also includes Cindy Eggert Johnson, producer; Johnathon Olsen, editor; with research and copyediting by Katie Avila Loughmiller and Karen Samelson. Music is by Flint, HaHaHa, Ori Kaplan and Jimit. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners.</p>]]></content:encoded></item><item><title><![CDATA[Cassie Packard, 2024 Rabkin Prize winner]]></title><description><![CDATA[Cassie Packard is a freelance writer and reviews editor at frieze magazine who is particularly interested in worldbuilding practices and networks, with queerness as a frame and focus.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-cassie-packard</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-cassie-packard</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 30 Oct 2024 09:01:06 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148388058/2358c0f9d23bba7e2089da1bbeb1fb63.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!nPsD!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!nPsD!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!nPsD!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!nPsD!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!nPsD!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!nPsD!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg" width="207" height="207" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:207,&quot;bytes&quot;:230710,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!nPsD!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!nPsD!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!nPsD!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!nPsD!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36532b2a-1df9-4ec2-95ad-3ce5e422b846_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Cassie Packard is a freelance writer and reviews editor at frieze magazine who is particularly interested in worldbuilding practices and networks, with queerness as a frame and focus.</p><p>For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Here is Mary Louise Schumacher, a longtime journalist and the foundation&#8217;s new executive director, in conversation with Cassie. It has been gently edited for length and clarity.&nbsp;</p><p><strong>Mentioned in this episode:<br></strong><a href="https://www.poetryfoundation.org/poets/james-joyce">James Joyce</a><br><a href="https://www.poetryfoundation.org/poets/john-ashbery">John Ashbery</a><br><a href="https://www.poetryfoundation.org/poets/frank-ohara">Frank O&#8217;Hara</a><br><a href="https://www.poetryinternational.com/en/poets-poems/poets/poet/102-2039_Dupin">Jacques Dupin</a><br><a href="https://www.poetryfoundation.org/poets/adrienne-rich">Adrienne Rich</a><br><a href="https://www.poetryfoundation.org/poets/emily-dickinson">Emily Dickinson</a><br>&#8220;<a href="https://www.frieze.com/article/sable-elyse-smith-if-you-unfolded-us-review-2024">Sable Elyse Smith&#8217;s Opera Inhabits the Storm,&#8221; by Cassie Packard (frieze, July 2024)</a><br><a href="https://www.tonimorrisonsociety.org/">Toni Morrison</a><br><a href="https://www.reneegladman.com/">Renee Gladman</a><br><em><a href="https://brooklynrail.org/2023/07/art_books/Christina-Sharpes-Ordinary-Notes">Ordinary Notes</a></em><a href="https://brooklynrail.org/2023/07/art_books/Christina-Sharpes-Ordinary-Notes"> by Christina Sharpe (Macmillan, 2023)</a><br>&#8220;<a href="https://brooklynrail.org/2024/02/criticspage/Knotted-Lives">Knotted Lives&#8221; by Cassie Packard (The Brooklyn Rail, February 2024)<br></a><em><a href="https://www.labiennale.org/en/art/2024/egypt">Drama 1882 </a></em><a href="https://www.labiennale.org/en/art/2024/egypt">by Wael Shawky at the 2024 Venice Biennale<br></a><a href="https://www.frieze.com/article/auriea-harvey-my-veins-are-the-wires-review-2024">&#8220;The Digital Media Experiments of Auriea Harvey&#8221; by Cassie Packard (frieze, February 2024)</a><br><em><a href="https://www.hup.harvard.edu/books/9780674025196">Gamer Theory</a></em><a href="https://www.hup.harvard.edu/books/9780674025196"> by McKenzie Wark (Harvard University Press, 2007)</a><br><em><a href="https://bookshop.org/p/books/art-rules-how-great-artists-think-create-and-work-cassie-packard/19727848?ean=9780711270299">Art Rules: How Great Artists Think, Create and Work</a></em><a href="https://bookshop.org/p/books/art-rules-how-great-artists-think-create-and-work-cassie-packard/19727848?ean=9780711270299"> by Cassie Packard (Frances Lincoln, 2023)</a><br><a href="https://artreview.com/what-models-make-worlds-critical-imaginaries-of-ai-ford-foundation-gallery-new-york-review/">&#8220;Whose Interests Does AI Serve?&#8221; by Cassie Packard (ArtReview, December 2023)</a><br><a href="https://www.recessart.org/projects/104-a-common-thread">&#8220;A Common Thread by Rowan Renee&#8221; by Cassie Packard (Recess Art, January 2022)<br></a><a href="https://ilgiardinodeitarocchi.it/en/">The Tarot Garden</a><br><a href="https://www.artforum.com/features/ab-ex-and-disco-balls-in-defense-of-abstract-expressionism-ii-197674/">&#8220;AB-EX and Disco Balls: In Defense of Abstract Expressionism II&#8221; by Amy Sillman (Artforum, Summer 2011)</a><br><a href="https://www.jstor.org/stable/778988">&#8220;In Defense of Abstract Expressionism&#8221; by T.J. Clark (October, Summer 1994)</a><br><a href="https://hyperallergic.com/">Hyperallergic<br></a><a href="https://hyperallergic.com/author/cassie-packard/">Cassie Packard at Hyperallergic</a><br><a href="https://momus.ca/">Momus</a><br><a href="https://contemporaryartreview.la/">Contemporary Art Review Los Angeles</a><br><a href="https://www.jupitermag.com/">Jupiter Magazine</a><br><a href="https://www.jessicalynne.co/">Jessica Lynne</a><br><a href="http://www.jarrettearnest.com/about-1.html">Jarrett Earnest</a></p><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music is by Ariel Shalom, Flint, Steven Beddall, Nomad Producer, and Just for Kicks. These interviews are accompanied by newly commissioned portraits of these writers made by Kevin J. Miyazaki in the spaces where they work.&nbsp;&nbsp;</p>]]></content:encoded></item><item><title><![CDATA[Thomas Lawson, 2024 Rabkin Prize winner]]></title><description><![CDATA[Thomas Lawson is an artist, educator and writer.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-thomas-lawson</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-thomas-lawson</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 23 Oct 2024 09:00:29 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148387948/44ca15e836ddb2c9c5940a7695c2195c.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!RMrR!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!RMrR!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!RMrR!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!RMrR!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!RMrR!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!RMrR!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg" width="191" height="191" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/de5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:191,&quot;bytes&quot;:281479,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!RMrR!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!RMrR!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!RMrR!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!RMrR!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde5b7d3d-98e8-4c22-b973-8bc49b83d4dd_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Thomas Lawson is an artist, educator and writer. For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Here is Mary Louise Schumacher, a longtime journalist and the foundation&#8217;s new executive director, in conversation with Thomas. It has been gently edited for length and clarity.&nbsp;</p><p><strong>Mentioned in this episode:<br></strong><em><a href="https://www.simonandschuster.com/books/The-Writing-of-Fiction/Edith-Wharton/9780684845319?utm_source=Sailthru&amp;utm_medium=email&amp;utm_campaign=The%20Craft%20of%20Writing:%20Edith%20Wharton&amp;utm_term=craftofwriting_master_list">The Writing of Fiction</a></em><a href="https://www.simonandschuster.com/books/The-Writing-of-Fiction/Edith-Wharton/9780684845319?utm_source=Sailthru&amp;utm_medium=email&amp;utm_campaign=The%20Craft%20of%20Writing:%20Edith%20Wharton&amp;utm_term=craftofwriting_master_list"> by Edith Wharton</a> (Scribner, January 1925)<br><a href="https://www.sayregomez.com/">Sayre Gomez</a><br><a href="https://artnet.com/artists/jack-goldstein/">Jack Goldstein</a><br><em><a href="https://english.yale.edu/publications/anxiety-influence-theory-poetry">The Anxiety of Influence </a></em><a href="https://english.yale.edu/publications/anxiety-influence-theory-poetry">by Harold Bloom (Oxford University Press)</a><br>&#8220;<a href="https://www.jstor.org/stable/778575">The Allegorical Impulse: Toward Theory of Postmodernism by Craig Owens&#8221; (October, Spring 1980)</a><br><a href="https://eastofborneo.org/">East of Borneo</a><br><a href="https://eastofborneo.org/contributors/susan-morgan/">Susan Morgan</a><br><a href="https://primaryinformation.org/product/real-life-magazine/">REALLIFE magazine</a><br><a href="https://marklewisstudio.com/">Mark Lewis</a><br><a href="https://www.theartstory.org/critic/krauss-rosalind/">Rosalind Krauss</a><br><a href="https://www.artnews.com/art-news/news/robert-pincus-witten-historian-critic-curator-coined-post-minimalism-died-9717/">Robert Pincus-Witten<br></a><a href="https://www.artforum.com/features/outside-the-box-unpacking-craig-owenss-slide-library-165881/">&#8220;Outside The Box: Unpacking Craig Owens&#8217;s Slide Library&#8221; by James Meyer (Artforum, March 2003</a>)<br><em><a href="https://www.filmpreservation.org/preserved-films/screening-room/rose-hobart-1936">Rose Hobart</a></em><a href="https://www.filmpreservation.org/preserved-films/screening-room/rose-hobart-1936"> by Joseph Cornell (1936)</a><br><a href="https://www.instagram.com/divacorp_usa/">Diva Corp</a><br><a href="https://diehltravis.com/">Travis Diehl</a><br><em><a href="https://www.academymuseum.org/en/exhibitions/john-waters-pope-of-trash">John Waters: Pope of Trash,</a></em><a href="https://www.academymuseum.org/en/exhibitions/john-waters-pope-of-trash"> exhibit at Academy Museum of Motion Pictures, 2023</a><br><a href="https://eastofborneo.org/articles/remembering-jack-goldstein">&#8220;Remembering Jack Goldstein&#8221; by Jennifer Bolande (Afterall 7, Spring/Summer 2003)</a><br><a href="https://www.getty.edu/projects/pacific-standard-time-2024/">&#8221;PST ART: Art &amp; Science Collide,&#8221; project at Getty museum</a><br><a href="https://www.redcat.org/events/2024/all-watched-over">&#8220;All Watched Over by Machines of Loving Grace&#8221; exhibit REDCAT Center CalArts (2024)</a><br><em><a href="http://anthologyfilmarchives.org/film_screenings/series/57458">Roy Cohn &amp; Jack Smith </a></em><a href="http://anthologyfilmarchives.org/film_screenings/series/57458">by Ron Vawter (April 1994)</a><br><a href="https://www.moca.org/program/the-comet-poppea">The Comet / Poppea</a>, by George Lewis<br><a href="https://www.nps.gov/cagr/index.htm">Casa Grande Ruins National Monument</a><br><a href="https://www.artforum.com/features/time-bandits-space-vampires-205830/">&#8220;Time Bandits, Space Vampires&#8221; by Thomas Lawson (Artforum 1988)<br></a><a href="https://www.trg.ed.ac.uk/exhibition/el-anatsui-scottish-mission-book-depot-keta">El Anatsui: Scottish Mission Book Depot Keta, exhibit at Talbot Rice Gallery of the University of Edinburgh (2024)</a><br><em><a href="https://collections.glasgowmuseums.com/mwebcgi/mweb?request=advanced;_t1108=2964;dtype=d">Christ of St. John of the Cross</a></em><a href="https://collections.glasgowmuseums.com/mwebcgi/mweb?request=advanced;_t1108=2964;dtype=d"> by Salvador Dali (1951), Glasgow Museums</a><br><a href="https://www.ed.ac.uk/edinburgh-college-art/history-art/strategy-get-arts-sga50/project-description">Joseph Beuys</a><br><em><a href="https://eastofborneo.org/shop/piecing-together-los-angeles-an-esther-mccoy-reader/">Piecing Together Los Angeles: An Esther McCoy Reader</a></em><a href="https://eastofborneo.org/shop/piecing-together-los-angeles-an-esther-mccoy-reader/"> edited by Susan Morgan (East of Borneo Books, 2012)</a></p><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music is by Ariel Shalom, Flint, Pink Desert, and CTRL S.<strong>&nbsp; </strong>These interviews are accompanied by newly commissioned portraits of these writers made by Kevin J. Miyazaki in the spaces where they work.&nbsp;&nbsp;</p>]]></content:encoded></item><item><title><![CDATA[Siddhartha Mitter, 2024 Rabkin Prize winner]]></title><description><![CDATA[Siddhartha Mitter is a freelance writer and critic.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-siddhartha</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-siddhartha</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Thu, 17 Oct 2024 14:21:58 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148387685/4174bf098d51ef2331fe27ede1b34b94.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!fVEi!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!fVEi!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!fVEi!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!fVEi!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!fVEi!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!fVEi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg" width="209" height="209" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:209,&quot;bytes&quot;:278266,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!fVEi!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!fVEi!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!fVEi!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!fVEi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fb68327-67f4-4ba4-83a7-4a6e65302eb1_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Siddhartha Mitter is a freelance writer and critic. He is one of eight writers to win the 2024 Rabkin Prize. For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Here is Mary Louise Schumacher, a longtime journalist and the foundation&#8217;s new executive director, in conversation with Siddhartha. It has been gently edited for length and clarity.&nbsp;&nbsp;</p><p><strong>Mentioned in this episode:<br></strong><a href="https://www.artforum.com/features/siddhartha-mitter-on-the-art-of-cauleen-smith-243121/">&#8220;Waking Life: Siddhartha Mitter on the art of Cauleen Smith&#8221; (Artforum, May 2019)</a><br><a href="https://www.nytimes.com/2024/05/08/arts/design/latoya-ruby-frazier-moma.html">&#8220;LaToya Ruby Frazier Is Paying It Forward&#8221; by Siddhartha Mitter (The New York Times, May 2024)</a><br><a href="https://www.nytimes.com/2023/11/09/arts/design/dawoud-bey-slave-trail-richmond.html">&#8220;Dawoud Bey, Full Frame: On Richmond&#8217;s Trail of the Enslaved&#8221; by Siddhartha Mitter (The New York Times, November 2023)</a><br><a href="https://www.nytimes.com/2022/04/14/arts/design/simone-leigh-venice-biennale-us-pavilion.html">&#8220;Simone Leigh, in the World&#8221; by Siddhartha Mitter (The New York Times, April 2022)</a><br><a href="https://www.nytimes.com/2021/02/19/arts/design/lorraine-ogrady-brooklyn-museum-retrospective.html">&#8220;Lorraine O&#8217;Grady, Still Cutting Into the Culture&#8221; by Siddhartha Mitter (The New York Times, February 2021)</a><br><a href="https://www.nytimes.com/2023/10/09/arts/design/el-anatsui-tate-modern-london.html">&#8220;El Anatsui Builds Monumental Art From Daily Life&#8221; by Siddhartha Mitter (The New York Times, October 2023)</a><br><a href="https://www.nytimes.com/2021/05/27/arts/design/arthur-jafa-gladstone-love-message-video.html">&#8220;At His Moment of Triumph, Arthur Jafa Is Looking for Trouble&#8221; by Siddhartha Mitter (The New York Times, May 2021)</a><br><a href="https://www.nytimes.com/2021/05/07/arts/design/chakaia-booker-art.html">For Chakaia Booker, Whose Medium Is Tires, the Art Is in the Journey&#8221; by Siddhartha Mitter (The New York Times, May 2021)</a><br><a href="https://www.nytimes.com/2021/11/30/arts/design/andrea-bowers-museum-chicago-activist-art.html">Andrea Bowers: Her Activism Animates Her Art&#8221; by Siddhartha Mitter (The New York Times, November 2021)</a><br><a href="https://www.nytimes.com/2024/05/10/arts/design/steve-mcqueen-filmmaker-art-dia-beacon-bass.html">&#8220;Steve McQueen, on a Different Wavelength&#8221; by Siddhartha Mitter (The New York Times, May 2024)</a><br><a href="https://documenta-fifteen.de/en/">Documenta 15</a><br><a href="https://www.counterpublic.org/">Counterpublic</a><br><a href="https://www.culturedmag.com/">Cultured Magazine</a><br><a href="https://www.wnyc.org/story/292175-art-talk-why-art-critics-matter/">&#8220;Art Talk: Why Art Critics Matter&#8221; by Deborah Solomon (WNYC News, May 2013)</a><br><a href="https://www.jupiter-mag.com/">Jupiter Magazine</a><br><a href="https://www.bostonglobe.com/metro/special-reports/a-beautiful-resistance/about/">A Beautiful Resistance</a> (The Boston Globe)<br><a href="https://www.nytimes.com/by/zo--hopkins">Zo&#235; Hopkins</a><br><a href="https://burnaway.org/">Burnaway</a><br><a href="https://contemporaryartreview.la/">Contemporary Art Review Los Angeles</a><br><em><a href="https://www.dukeupress.edu/in-the-wake">In the Wake: On Blackness and Being </a></em><a href="https://www.dukeupress.edu/in-the-wake">by Christina Sharpe (Duke University Press, 2016)</a></p><p>This episode of The Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music by Ariel Shalom, Flint, Just for Kicks, Aureyez, and Jim Swim. These interviews are accompanied by newly commissioned portraits of these writers made by Kevin J. Miyazaki in the spaces where they work.&nbsp;</p>]]></content:encoded></item><item><title><![CDATA[Emily Watlington, 2024 Rabkin Prize winner]]></title><description><![CDATA[Emily Watlington is a critic, curator, and senior editor at Art in America.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-emily-watlington</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-emily-watlington</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 09 Oct 2024 09:01:12 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148387770/dbdbdcef8dda833de5ef566c4f736d2b.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Xmnd!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Xmnd!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Xmnd!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Xmnd!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Xmnd!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Xmnd!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg" width="237" height="237" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:237,&quot;bytes&quot;:327702,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!Xmnd!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Xmnd!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Xmnd!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Xmnd!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5feb6f37-f6c9-48d0-baa7-9b6449cc112d_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Emily Watlington is a critic, curator, and senior editor at Art in America. She is one of eight writers to win the 2024 Rabkin Prize. For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Our new Executive Director, Mary Louise Schumacher, a longtime journalist, conducted this conversation with Emily. It has been gently edited for length and clarity.&nbsp;</p><p>Mentioned in this episode:</p><p><a href="https://www.artnews.com/art-in-america/aia-reviews/foreigners-everywhere-inclusive-adriano-pedrosa-venice-biennale-1234712566/">&#8220;The Pitfalls of the Something-for-Everyone Approach to the Venice Biennale&#8221; by Emily Watlington (Art In America, July 2024</a><br>&#8220;<a href="https://www.artpapers.org/andreacrespo/">Andrea Crespo&#8221; by Emily Watlington (Art Papers, Winter 2018/2019)</a><br><a href="https://www.artnews.com/c/art-in-america/">Art in America</a><br><a href="http://rebeccasolnit.net/">Rebecca Solnit</a><br><a href="https://hyperallergic.com/589572/guggenheim-museum-maurizio-cattelan-banana-comedian/">&#8220;Maurizio Cattelan&#8217;s Notorious Banana Sculpture Donated to Guggenheim Museum&#8221; by Valentina Di Liscia (Hyperallergic, September 2020)</a><br><a href="https://www.notion.so/mobile">Notion app</a><br><a href="https://www.labiennale.org/en/art/2024/austria">Anna Jermolaewa at the Austrian Pavilion of the 2024 Venice Biennale</a><br><a href="https://www.youtube.com/watch?v=tui5vl13Gqg">Nathan Fielder&#8217;s </a><em><a href="https://www.youtube.com/watch?v=tui5vl13Gqg">The Curse</a></em><a href="https://www.youtube.com/watch?v=tui5vl13Gqg"> trailer<br></a><em><a href="https://www.penguinrandomhouse.com/books/547887/leave-society-by-tao-lin/">Leave Society</a></em><a href="https://www.penguinrandomhouse.com/books/547887/leave-society-by-tao-lin/"> by Tao Lin (Penguin Random House, 2021)</a><br><em><a href="https://www.harpercollins.com/products/the-slip-prudence-peiffer?variant=40991813337122">The Slip: The New York City Street That Changed American Art Forever</a></em><a href="https://www.harpercollins.com/products/the-slip-prudence-peiffer?variant=40991813337122"> by Prudence Pfeiffer (Harper, 2023)</a><br><em><a href="https://us.macmillan.com/books/9781250849915/allthingsaretoosmall">All Things Are Too Small: Essays in Praise of Excess</a></em><a href="https://us.macmillan.com/books/9781250849915/allthingsaretoosmall"> by Becca Rothfeld (Metropolitan Books, 2024)</a></p><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music is by Ariel Shalom, Flint, warmkeys, and Duce Williams. <strong>&nbsp;</strong>These interviews are accompanied by newly commissioned portraits of these writers made by Kevin J. Miyazaki in the spaces where they work.&nbsp;</p>]]></content:encoded></item><item><title><![CDATA[Greg Allen, 2024 Rabkin Prize winner ]]></title><description><![CDATA[Greg Allen is an artist and writer who began greg.org: the making of art blog in 2001.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-greg-allen</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-greg-allen</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 02 Oct 2024 09:01:05 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148387844/2d7babb53702e4f882efb787a581597e.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!cwWu!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!cwWu!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!cwWu!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!cwWu!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!cwWu!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!cwWu!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg" width="201" height="201" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/c16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:201,&quot;bytes&quot;:299503,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!cwWu!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!cwWu!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!cwWu!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!cwWu!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc16e6759-9c49-41a0-b70f-521739d2a2c5_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Greg Allen is an artist and writer who began <em>greg.org: the making of</em> art blog in 2001. For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Here is Mary Louise Schumacher, a longtime journalist and the foundation&#8217;s new executive director, in conversation with Greg. It has been gently edited for length and clarity.&nbsp;</p><p><strong>Mentioned in this episode:<br></strong><a href="http://greg.org">greg.org: the making of</a><br>&#8220;<a href="https://greg.org/2015/07/lightning-field.html">Lightning Field Notes&#8221; by Greg Allen (Greg.org, July 2015)</a><br><a href="https://weisslink.com/sortaold-news/">&#8220;Old News&#8221;</a> by <a href="https://weisslink.com/">Jeff Weiss</a><br><a href="https://www.annetruitt.org/">Anne Truitt</a><br><em><a href="https://www.barnesfoundation.org/whats-on/exhibition/isaac-julien-statues-never-die">Once Again . . . (Statues Never Die)</a></em><a href="https://www.barnesfoundation.org/whats-on/exhibition/isaac-julien-statues-never-die"> by Isaac Julien, exhibit at the Barnes Foundation, 2022</a><br><em><a href="https://www.isaacjulien.com/projects/ten-thousand-waves/">Ten Thousand Waves</a></em><a href="https://www.isaacjulien.com/projects/ten-thousand-waves/"> by Isaac Julian</a><br><a href="https://greg.org/archive/2024/05/10/just-dropped-edouard-manet-facsimile-object-m4-fleurs.html">&#8220;Just Dropped: &#201;douard Manet Facsimile Object (M4), &#8216;Fleurs&#8217;&#8221; by Greg Allen (Greg.org, May 2024)</a><br><a href="https://greg.org/archive/2022/09/14/show-me-the-manets.html">&#8220;Show Me the Manets&#8221; by Greg Allen (Greg.org, September 2022)</a><br><a href="https://www.si.edu/newsdesk/releases/hirshhorn-commissions-nicolas-party-create-new-large-scale-immersive-mural">&#8220;Hirshhorn Commissions Nicolas Party To Create New Large-Scale Immersive Mural&#8221; (Smithsonian, May 2017)</a><br><a href="https://greg.org/2017/01/the-daily-pract-4.html">&#8220;The Daily Practice of Refusing&#8221; by Greg Allen (Greg.org, January 2017)</a><br><a href="https://www.glenstone.org/">Glenstone</a><br><a href="https://www.glenstone.org/artist/cady-noland/">Cady Noland</a><br><a href="https://www.ligo.caltech.edu/page/what-is-ligo">LIGO</a><br><a href="https://news.artnet.com/art-world/posing-modernity-wallach-musee-orsay-1352365">&#8220;A Student Thesis Has Become a Groundbreaking Show About How Black People Have Been Pictured Across Art History&#8221; by Naomi Rea (artnet, September 2018)</a><br>&#8220;<a href="https://news.artnet.com/art-world/the-sistine-chapel-raphael-tapestries-1783185">For One Week Only Raphael&#8217;s Great Tapestries Have Returned to the Sistine Chapel&#8221; by Kate Brown (artnet, February 2020)</a><br><a href="https://www.guggenheim.org/audio/track/we-the-people-detail-by-danh-vo">Danh Vo</a><br><a href="https://www.artnews.com/art-news/news/unesco-resumes-preservation-of-endangered-heritage-sites-in-bamiyan-afghanistan-1234665264/">UNESCO Heritage site Buddha statues</a><br><a href="https://greg.org/archive/2024/04/03/the-history-of-tilted-arc-is-long.html">&#8220;The History of Tilted Arc Is Long&#8221; by Greg Allen (Greg.org, April 2024)</a><br><a href="https://greg.org/archive/2024/08/05/itty-bitty-videy-committee.html">&#8220;Itty Bitty Videy Committee&#8221; by Greg Allen (Greg.org, August 2024)</a>&nbsp;</p><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music is by Ariel Shalom, Flint, Cosmonkey and Maybird. These interviews are accompanied by newly commissioned portraits of these writers made by Kevin J. Miyazaki in the spaces where they work.&nbsp;</p>]]></content:encoded></item><item><title><![CDATA[Holland Cotter, 2024 Rabkin Prize winner ]]></title><description><![CDATA[Holland Cotter is the chief art critic and a senior writer at The New York Times, where he won a Pulitzer for criticism.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-holland</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-holland</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 25 Sep 2024 09:00:29 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148387075/4bb1524269272da447d4ef71872f8405.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!hYUd!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!hYUd!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!hYUd!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!hYUd!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!hYUd!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!hYUd!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg" width="197" height="197" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/be93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:197,&quot;bytes&quot;:237695,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!hYUd!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!hYUd!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!hYUd!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!hYUd!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe93f4ab-5be3-47a4-aa6c-bef8995e892e_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Holland Cotter is the chief art critic and a senior writer at The New York Times, where he won a Pulitzer for criticism. For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Here is Mary Louise Schumacher, a longtime journalist and the foundation&#8217;s new executive director, in conversation with Holland. It has been gently edited for length and clarity.&nbsp;</p><p><strong>Mentioned in this episode:<br></strong><a href="https://www.metmuseum.org/">The Metropolitan Museum of Art</a><br><a href="https://www.joefeddersen.com/work/installation">Joe Feddersen&#8217;s </a><em><a href="https://www.joefeddersen.com/work/installation">Charmed</a><br></em><a href="https://www.nytimes.com/2024/03/20/arts/design/joan-jonas-moma-drawing-center.html?searchResultPosition=4">&#8220;Joan Jonas: A Trailblazer Shines at MoMA&#8221; by Holland Cotter (The New York Times, March 2024)</a><br><a href="https://civilianwarfaregallery.wordpress.com/">Civilian Warfare Gallery</a><br><a href="https://www.nytimes.com/2008/03/30/arts/design/30cott.html?searchResultPosition=13">&#8220;The Topic Is Race; the Art Is Fearless,&#8221; by Holland Cotter (The New York Times, March 2008</a>)<br><a href="https://thoreausociety.org/">Henry David Thoreau</a><br><a href="https://whc.unesco.org/en/list/592/">Borobudur Temple</a><br><a href="https://www.nytimes.com/2024/07/25/arts/design/mary-sully-metropolitan-museum-native-dakota.html">&#8220;Native Modern Art: From a Cardboard Box to the Met&#8221; by Holland Cotter (The New York Times, July 2024</a>)<br><em><a href="https://www.metmuseum.org/exhibitions/siena-the-rise-of-painting-1300-1350">Siena: The Rise of Painting</a></em><a href="https://www.metmuseum.org/exhibitions/siena-the-rise-of-painting-1300-1350">, exhibit at The Metropolitan Museum of Art, 2024</a><br><em><a href="https://cup.columbia.edu/book/love-joe/9780231203425">Love, Joe: The Selected Letters of Joe Brainard </a></em><a href="https://cup.columbia.edu/book/love-joe/9780231203425">(Columbia University Press, 2024)</a><br><em><a href="https://cup.columbia.edu/book/love-joe/9780231203425">Agnes Martin: Paintings,Writings,Remembrances </a></em><a href="https://cup.columbia.edu/book/love-joe/9780231203425">by Arne Glimcher (Phaidon Press, 2012)</a><br><a href="https://www.artforum.com/">Artforum</a><br><a href="https://hyperallergic.com/">Hyperallergic</a><br><a href="https://www.poetryfoundation.org/poets/emily-dickinson">Emily Dickinson</a><br><a href="https://www.poetryfoundation.org/poets/gertrude-stein">Gertrude Stein</a></p><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music by Ariel Shalom, Nomad Producer, Maybird and Jozeque.<strong> </strong>These interviews are accompanied by newly commissioned portraits of these writers in the spaces where they work made by Kevin J. Miyazaki.&nbsp;</p>]]></content:encoded></item><item><title><![CDATA[Robin Givhan, 2024 Rabkin Prize winner ]]></title><description><![CDATA[Robin Givhan is a Pulitzer Prize-winning writer and senior critic-at-large for The Washington Post.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-robin-givhan</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-robin-givhan</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Wed, 18 Sep 2024 09:02:07 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148387251/a31939c63723639cf030c0b2e9620de4.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!MZu_!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!MZu_!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!MZu_!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!MZu_!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!MZu_!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!MZu_!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg" width="205" height="205" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1440,&quot;width&quot;:1440,&quot;resizeWidth&quot;:205,&quot;bytes&quot;:463474,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!MZu_!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 424w, https://substackcdn.com/image/fetch/$s_!MZu_!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 848w, https://substackcdn.com/image/fetch/$s_!MZu_!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!MZu_!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42ced86d-3b16-4156-9caa-5467fa7fda86_1440x1440.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div></div></div></a></figure></div><p>Robin Givhan is a Pulitzer Prize-winning writer and senior critic-at-large for The Washington Post. She is one of eight writers to win the 2024 Rabkin Prize. For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Here is Mary Louise Schumacher, a longtime journalist and the foundation&#8217;s new executive director, in conversation with Robin. It has been gently edited for length and clarity.&nbsp;</p><p><strong>Mentioned in this episode:<br></strong><em><a href="https://www.penguinrandomhouse.com/books/708347/i-just-keep-talking-by-nell-irvin-painter/">I Just Keep Talking</a></em><a href="https://www.penguinrandomhouse.com/books/708347/i-just-keep-talking-by-nell-irvin-painter/"> by Nell Irvin Painter (Knopf Doubleday, April 2024)</a><br><a href="https://www.washingtonpost.com/nation/2024/04/30/americas-tents-are-pitched-shameful-truths/">&#8220;America&#8217;s tents are pitched on shameful truths,&#8221; by Robin Givhan (The Washington Post, April 2024)</a><br><a href="https://www.nytimes.com/2002/10/09/news/commentary-the-ethnicity-questionnew-york-and-europe-take-different.html">&#8220;The ethnicity question: New York and Europe take different line&#8221; by Robin Givhan (The New York Times, October 2002)</a><br><a href="https://legacysites.eji.org/about/monument/">Freedom Monument Sculpture Park</a><br><a href="https://legacysites.eji.org/about/memorial/">The National Memorial for Peace and Justice</a><br><a href="https://eji.org/bryan-stevenson/">Bryan Stevenson</a><br><a href="https://www.jta.org/2018/04/26/united-states/new-memorial-black-lynching-victims-learned-holocaust-commemoration">Stumbling stones</a><br><a href="https://www.publishersweekly.com/9780671729653">Flyboy In The Buttermilk: Essays On Contemporary America by Greg Tate (Touchstone Books, 2015)</a><br><em><a href="https://sarahlkaufman.com/the-art-of-grace-sarah-kaufman/">The Art of Grace: On Moving Well Through Life</a></em><a href="https://sarahlkaufman.com/the-art-of-grace-sarah-kaufman/"> by Sarah Kaufman (W.W. Norton &amp; Co., 2015)</a><br><a href="https://www.newyorker.com/magazine/1994/11/07/andre-leon-talley-vogue-the-only-one">&#8220;The Only One: As a black man and the creative director of Vogue, Andr&#233; Leon Talley is at the intersection of many worlds,&#8221; by Hilton Als (The New Yorker, October 1994)</a><br><a href="https://www.washingtonpost.com/nation/2021/11/29/virgil-abloh-appreciation/">&#8220;Virgil Abloh&#8217;s wondrous success&#8221; by Robin Givhan (The Washington Post, November 2021)</a><br><a href="https://www.icaboston.org/exhibitions/virgil-abloh-figures-speech/">Institute of Contemporary Art</a><br><em><a href="https://www.icaboston.org/exhibitions/virgil-abloh-figures-speech/">Figures of Speech</a></em><a href="https://www.icaboston.org/exhibitions/virgil-abloh-figures-speech/"> by Virgil Abloh, exhibit at the Institute of Contemporary Art/Boston, 2021</a></p><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music by Ariel Shalom, Flint, ZISO, Captain Joz, and dannyminus. These interviews are accompanied by newly commissioned portraits of these writers made by Kevin J. Miyazaki in the spaces where they work.&nbsp;</p>]]></content:encoded></item><item><title><![CDATA[2024 Rabkin Prize winner TK Smith]]></title><description><![CDATA[TK Smith is an arts writer, cultural historian, and the newly appointed curator of the Arts of Africa and the African Diaspora at the Michael C.]]></description><link>https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-tk-smith</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/2024-rabkin-prize-winner-tk-smith</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Thu, 12 Sep 2024 09:01:22 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148386738/bbf122665082f4f89800025dd89a110f.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!UGX5!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!UGX5!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 424w, https://substackcdn.com/image/fetch/$s_!UGX5!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 848w, https://substackcdn.com/image/fetch/$s_!UGX5!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!UGX5!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!UGX5!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg" width="252" height="252" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/e86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1456,&quot;width&quot;:1456,&quot;resizeWidth&quot;:252,&quot;bytes&quot;:598193,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!UGX5!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 424w, https://substackcdn.com/image/fetch/$s_!UGX5!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 848w, https://substackcdn.com/image/fetch/$s_!UGX5!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!UGX5!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe86116b3-7931-4308-817d-e3ef0d7679e1_1620x1620.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>TK Smith is an arts writer, cultural historian, and the newly appointed curator of the Arts of Africa and the African Diaspora at the Michael C. Carlos Museum at Emory University. He is one of eight writers to win the 2024 Rabkin Prize. For the first time in the prize&#8217;s history, the Rabkin Foundation commissioned portraits of the winners in the spaces where they write and conducted interviews with them about their lives and ideas. Here is Mary Louise Schumacher, a longtime journalist and the foundation&#8217;s new executive director, in conversation with TK. It has been gently edited for length and clarity.&nbsp;</p><p><strong>Mentioned in this episode:<br></strong><a href="https://www.artpapers.org/beverly-buchanan-2/">Beverly Buchanan, Art Papers, Fall/Winter 2020</a><br><em><a href="https://fryemuseum.org/exhibitions/duane-linklater-mymothersside">Duane Linklater:</a></em><a href="https://fryemuseum.org/exhibitions/duane-linklater-mymothersside"> </a><em><a href="https://fryemuseum.org/exhibitions/duane-linklater-mymothersside">mymothersside</a></em><a href="https://fryemuseum.org/exhibitions/duane-linklater-mymothersside">, Frye Art Museum exhibit, 2021</a><br><a href="https://www.studiomuseum.org/residency/open-studios/malcolm-peacock">Malcolm Peacock, Studio Museum in Harlem residency, 2024-25</a><br><a href="https://wgs.fas.harvard.edu/people/imani-perry-0">Imani Perry</a><br><a href="https://monumentlab.com/">Monument Lab</a><br><a href="https://monumentlab.com/bulletin/a-boxcar-on-east-4th-street">&#8220;A Boxcar on East 4th Street&#8221; by TK Smith (Monument Lab, August 2023)</a><br><a href="https://monumentlab.com/bulletin/a-stage-for-aiyyana">&#8220;A Stage for Aiyyana&#8221; by TK Smith (Monument Lab, May 2023)</a><br><a href="https://vmfa.museum/collections/stories/the-dirty-south/">&#8220;The Dirty South&#8221; exhibit at the Virginia Museum of Fine Arts</a><br><a href="https://www.artnews.com/art-in-america/aia-reviews/dirty-south-virginia-museum-fine-arts-1234599264/">&#8220;A Cosmos of Southern Black Expression&#8221; by TK Smith (Art in America, July 2021)</a><br><a href="https://www.bennyandrews.com/">Benny Andrews</a><br><a href="https://michimeko.com/">Michi Meko</a><br><em><a href="https://www.sevenstories.com/books/2951-bloodchild-and-other-stories?srsltid=AfmBOoqcsjydJjMUCmmZlpK-OlNe4qVQWCOmBncM85RxCWBA_5nYuRwA">Bloodchild and Other Stories </a></em><a href="https://www.sevenstories.com/books/2951-bloodchild-and-other-stories?srsltid=AfmBOoqcsjydJjMUCmmZlpK-OlNe4qVQWCOmBncM85RxCWBA_5nYuRwA">by Octavia Butler (Seven Stories Press, 2005)</a><br><a href="https://www.christopherrobertjones.com/">Christopher Robert Jones</a><br><em><a href="https://www.youtube.com/watch?v=w-hmuUAmFHQ">Blue</a></em><a href="https://www.youtube.com/watch?v=w-hmuUAmFHQ"> by Derek Jarman</a><br><a href="https://kjabudu.com/">KJ Abudu</a><br><em><a href="https://www.goodreads.com/book/show/3431.The_Five_People_You_Meet_in_Heaven">The Five People You Meet in Heaven</a></em><a href="https://www.goodreads.com/book/show/3431.The_Five_People_You_Meet_in_Heaven"> by Mitch Albom (Hatchett Book Group, 2018)</a>&nbsp;<br><em><a href="https://thenewpress.com/books/art-on-my-mind">Art on My Mind: Visual Politics</a></em><a href="https://thenewpress.com/books/art-on-my-mind"> by bell hooks (The New Press, 1995)</a><br><em><a href="https://www.auntlute.com/borderlands-la-frontera-5th-ed">Borderlands/La Frontera: The New Mestiza</a></em><a href="https://www.auntlute.com/borderlands-la-frontera-5th-ed"> by Gloria Anzald&#250;a (Aunt Lute Books, 1987)</a></p><p>This episode of the Rabkin Interviews was produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. The Rabkin Prize is awarded through a nomination process, and an independent jury selects the winners. The production team for the Rabkin Interviews includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Music by Ariel Shalom, Flint, S&#233;m&#248; and Just for Kicks. These interviews are accompanied by newly commissioned portraits of these writers made by Kevin J. Miyazaki in the spaces where they work.</p>]]></content:encoded></item><item><title><![CDATA[Introducing the Rabkin Interviews]]></title><description><![CDATA[Welcome to The Rabkin Interviews.]]></description><link>https://rabkinfoundation.substack.com/p/introducing-the-2024-rabkin-prize</link><guid isPermaLink="false">https://rabkinfoundation.substack.com/p/introducing-the-2024-rabkin-prize</guid><dc:creator><![CDATA[Mary Louise Schumacher]]></dc:creator><pubDate>Tue, 27 Aug 2024 18:41:17 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/148196066/d1a8f9f50838403eb75d85d4f2205ad8.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>Welcome to The Rabkin Interviews. In this episode we preview a series of conversations between the eight winners of the 2024 Rabkin Prize and Mary Louise Schumacher, a journalist and the new executive director of the Rabkin Foundation.</p><p><strong>Mentioned in this episode:<br></strong><em><a href="https://www.pw.org/best-books/the_writers_desk">The Writer&#8217;s Desk</a></em><a href="https://www.pw.org/best-books/the_writers_desk"> by Jill Krementz (Random House, 1996)</a> <br><a href="https://www.kevinmiyazaki.com/">Kevin J. Miyazaki</a><br><a href="https://linktr.ee/Cmonstah">Carolina Miranda</a><br><a href="https://hyperallergic.com/author/an/">AX Mina</a><br><a href="https://alliedmedia.org/leader/rashid-shabazz">rashid shabazz</a><br><a href="https://andras-szanto.com/">Andr&#225;s Sz&#225;nt&#243;</a></p><p>This project is produced by the Dorothea and Leo Rabkin Foundation, an artist-endowed foundation based in Portland, Maine. Our production team includes Cindy Eggert Johnson, producer, and Johnathon Olsen, editor. Original <a href="http://Artlist.io">music</a> is <em>HaHaHa</em> by Ariel Shalom and <em>Present in the Past</em> by Flint. These interviews will be accompanied by portraits of the Rabkin Prize winners in the spaces where they work made by Kevin J. Miyazaki.</p>]]></content:encoded></item></channel></rss>